1858-1921 Belgian Fernand Khnopff Gallery Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in Flanders since the early 17th-century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859-1864) he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864 the family moved to Brussels. To please his parents he went to law school at the Free University of Brussels (now divided into the Universite Libre de Bruxelles and the Vrije Universiteit Brussel) when he was 18 years old. During this period he developed a passion for literature, discovering the works of Baudelaire, Flaubert, Leconte de Lisle and other mostly French authors. With his younger brother Georges Khnopff - also a passionate amateur of contemporary music and poetry - he started to frequent Jeune Belgique ("Young Belgium"), a group of young writers including Max Waller, Georges Rodenbach, Iwan Gilkin and Emile Verhaeren. Khnopff left University due to a lack of interest in his law studies and began to frequent the studio of Xavier Mellery, who made him familiar with the art of painting. On the 25th of October 1876 he enrolled for the Cours De Dessin Apres Nature ("course of drawing after nature") at the Academie Royale des Beaux-Arts en Bruxelles. At the Academie, his most famous fellow student was James Ensor, whom he disliked from the start. Between 1877 and 1880 Khnopff made several trips to Paris where he discovered the work of Delacroix, Ingres, Moreau and Stevens. At the Paris World Fair of 1878 he became acquainted with the oeuvre of Millais and Burne-Jones. During his last year at the Acad??mie in 1878-1879 he neglected his classes in Brussels and lived for a while in Passy, were he visited the Cours Libres of Jules Joseph Lefebvre at the Acad??mie Julian.   Related Paintings of Fernand Khnopff :. | Head of a Young Englishwoman | Victoria Like Flames her Long Red Tresses Licked | In Fosset The water risesmk98 | Study of Woman | Portrait of His Royal Highness Prince Leopold of Belgium Duke of Brabant |
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Regis-Francois Gignoux
1816-1882 French/American Regis-Francois Gignoux Gallery French painter who was active in the United States from 1840 to 1870. He was born in Lyon, France and studied at the École des Beaux-Arts under with the French painter Paul Delaroche (1797-1856). Gignoux arrived in the United States from France in 1840 and opened a studio in Brooklyn, New York. He was a member of the National Academy of Design, and was the first president of the Brooklyn Art Academy. George Inness (1825-1894) and John LaFarge (1835-1910) were both his students. Gignoux was the only member of the Hudson River School to specialize in snow scenes. He returned to France in 1870 and died in Paris in 1882. The Brooklyn Museum, the Corcoran Gallery of Art (Washington, DC), the Georgia Museum of Art (University Of Georgia, Athens), the High Museum of Art (Atlanta, Georgia), the Honolulu Academy of Arts, the Hood Museum of Art (Dartmouth College, Hanover, New Hampshire), the Museum of Art at Brigham Young University (Provo, Utah), the Museum of Fine Arts, Boston, the Nelson-Atkins Museum of Art (Kansas City, Missouri), the New York Historical Society (New York City), the Parrish Art Museum (Southampton, New York), Smith College Museum of Art (Northampton, Massachusetts), the United States Capital Art Collection (Washington, D. C.), the Walters Art Museum (Baltimore, Maryland) and the Watson Gallery (Wheaton College, Norton, Massachusetts) are among the public collections holding work by R??gis François Gignoux.
Arthur Elsley
British FL.1890-1919
BIJLERT, Jan van
Dutch painter, Utrecht school (b. 1597/98, Utrecht, d. 1671, Utrecht) Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings.